Complete 10 pages APA formatted article: Music Theater and Dramatic Underpinnings as per Peter Stones Literary Work. The performance of musical theatre often communicates verbal and semantic information. Moreover, it also contains other forms of communication such as style, vocal range, intonation, genre, vocal register, accent, as well as the choice of the qualities of sound such as tone and timbre. These aspects of musical theatre are used subconsciously in the daily aspects of communication.

Most audiences of musical theatre often dredge exploring more meaning out of songs than it might have not been intended before by the composers. However, what matters most at the end of each day in musical theatre is the fact that the choice of composition sounds too good to appeal to its audience. Nonetheless, if the audience does not take much time reading into musical theatre, then they might not be able to uncover the many possibilities that come with interpretation and performance (Jones, 2003). Various stakeholders such as stage managers, designers, performers, and directors need to be empowered towards finding real meaning in musical theatre.

Musical theatre combines acting, songs, dance, and spoken dialogue. These different forms could be used to communicate humor, anger, pathos, and love. The important aspects of entertainment such as music, words, and movement are communicated as a whole element. To some extent, musical theatre seems to overlay the other forms of theatre such as dance and opera (Block, 2009). However, it may be differentiated from the other forms by giving more significance to the music rather than movement, dialogue, and other elements of theatre. For a long time now, the contents of musical theatre have been referred to as musicals to signify the importance given to music.

Music has been a major content of musical theatre for a long time now before the introduction of Western forms of musical theatre. Since the introduction of these modern forms, there have been a few established works.